ancient chinese curse

Posted in "may you live in interesting times", Neal Bell, Ready for the River on December 10th, 2008 by Andrew

“May you live in interesting times.”

Apparently, this alleged Chinese imprecation is not so Chinese. Wikipedia:

No known user of the English phrase has supplied the purported Chinese language original, and the Chinese language origin of the phrase, if it exists, has not been found, making its authenticity doubtful. One theory is that it may be related to the Chinese proverb, “It’s better to be a dog in a peaceful time than be a man in a chaotic period” (???????????; pinyin: níng wéi tàipíng qu?n, bù zuò luànshì rén).[citation needed]

Still, it seems that interesting times have been wished on all of us, what with the bailout fever and governors being arrested and Greece on fire. I have noticed that since these interesting times began, right around, oh, say, the selection of Sarah Palin as John McCain’s running mate, aspects of the plays that we work on in class that come up in scenes that have relevance to our current national and international crises (!), they crackle more loudly than they perhaps otherwise would. Last cycle in SF, we worked on a play by Neal Bell called Ready for the River from the early nineties, which involves the bloody aftermath of a bank foreclosing on a family farm. I had selected to the play because it’s great writing and I like the way playwright Neal Bell loves to bring dead people back from the dead to talk to the living in what are either expressionistic interludes or hallucinatory sequences. But my selection of the play had nothing to do, if I recall correctly, with its social relevance. The first time I heard the foreclosure that transpires in the play referenced by a pair of actors doing a scene from the play in class, I was BOWLED OVER. I mentioned this to students who had been watching the scene work in class during a break, and they had a similar reaction. Tom Brokaw said on Meet the Press the other day that for the first time in years, “everyone is paying attention.” We are all experiencing and participating in the public life of this country in a way that is new and exciting.

These observations throw into relief the importance of actors in these times: they are people who are able to embody and give voice to the yearnings of people in our society, both the private and subjective yearnings and the public and political ones. In performing pieces of writing, actors participate in bringing these yearnings into confrontation and dialogue with others, so that solutions can be hammered out, tires can be kicked, and glad tidings and great rejoicing can ultimately come to pass.

To arms!

(This post is from the blog of the Mother of Invention Acting School in Los Angeles and San Francisco (www.utteracting.com): an acting class in Los Angeles and San Francisco for serious, motivated students.)

Being Jackson Pollock

Posted in Uncategorized on December 5th, 2008 by Andrew

Ever wonder what it felt like?

Well, click here to find out. And don’t forget to click your mouse to change colors.

A

(This post is from the blog of the Mother of Invention Acting School in Los Angeles and San Francisco (www.utteracting.com): an acting class in Los Angeles and San Francisco for serious, motivated students.)

Backstabbing for Beginners: My Crash Course in International Diplomacy

Posted in Uncategorized on December 2nd, 2008 by Andrew

(This post is from the blog of the Mother of Invention Acting School in Los Angeles and San Francisco (www.utteracting.com): an acting class in Los Angeles and San Francisco for serious, motivated students.)

Driving into town from Burbank this morning, I caught the tail-end of an interview on NPR. Turns out is was with a guy named Michael Soussan, who has just published a memoir of his time at the United Nations, and his frustrated attempts to expose Saddam Hussein’s subversion of the oil-for-food program. It caught my ear because his frustrations with the bureaucracy of that august insitution reminded me of all the experiences I have had with bureaucracy: corporate, non-profit, academic, you name it. It all devolves very quickly to turf wars which are as nasty as they are inconsequential. Bureaucracy is a necessary evil that isn’t going anywhere. but my allergic reaction to it has been a big part of my decision to go it alone as an acting teacher. Soussan talked about how exceedingly frustrated people who were high-minded or idealistic became in that environment (he himself resigned over his superiors’ refusal to expose the aforementioned Hussein fraud). It can be isolating, but not having to play along with all of that nonsense makes the adversity worthwhile.

I still harbor a vision of a small, lean group of collaborators that would begin to work together to create theater with the absolute minimum of organizational support. Additional organizational support could be added to support growth, but always with a less-is-better principle. Staying lean is where it’s at.
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